Concept design for a fictional business (Wren & Willow), made by Digisurge. About this design
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The makers

Made on the island, chosen in person

More than 30 Tasmanian makers fill the shelves at Wren & Willow: potters, weavers, turners and candle makers working in small batches. Here is how their work finds its way to Salamanca Square.

Flowering kunzea and tea-tree in the misty Tasmanian bush

How a piece is chosen

Slow on purpose, and always by hand

A former textile designer buys the way she used to sample fabric: by touch, by use and by living with it for a while. Nothing is chosen from a catalogue.

  1. 01

    Visit the maker

    Clare goes to the studio or workshop, sees how the work is made and talks with the person making it.

  2. 02

    Pick it up

    Weight, balance, the feel of a glaze or a hem. If it does not feel right in the hand, it does not come back to Hobart.

  3. 03

    Live with it

    Pieces are used at home first. A mug has to pour, a tea towel has to dry, a candle has to burn evenly to the end.

  4. 04

    Give it room

    Only then does it go on a shelf, with space around it, so you can see what it is.

The materials

Four materials Clare could talk about all day

Rows of unglazed bowls and mugs drying on timber shelves beside a window

No. 01 · Clay

Thrown, dried, fired, and fired again

The ceramics come from five Tasmanian potters. Each piece is thrown on the wheel, left to dry on timber shelves, bisque fired, glazed and fired a second time.

Glazes like wood ash move in the kiln, so no two pieces finish quite the same. Clare chooses the ones where that movement looks deliberate.

PottersFive, all in Tasmania
FiringsTwo per piece
GlazesAsh, celadon, satin, speckled
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A breakfast table laid with a stonewashed linen cloth, speckled mugs, pears and sourdough

No. 02 · Linen

Washed soft before it ever reaches you

Linen is spun from flax, and it gets better with use: softer, more absorbent, more itself. Stonewashing gives you that softness from the first day.

Clare's years as a textile designer show most here. She chooses linen by weight and hand, and colours that sit quietly together: oat, moss, charcoal and sage.

Fibre100% linen, from flax
FinishStonewashed
ColoursOat, moss, charcoal, sage
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A freshly planed plank of golden Huon pine with curled shavings on a workbench

No. 03 · Huon pine

A millimetre a year, and you can smell every one

Huon pine is one of the slowest growing trees on earth, adding roughly a millimetre of girth a year. Its natural oil gives the timber its scent and makes it resistant to rot, which is why boatbuilders prized it.

The pieces on our shelves are turned in the Huon Valley from salvaged timber. Even the offcuts are too good to waste, so they become spreaders and small things.

GrowthAbout 1mm of girth a year
TimberSalvaged
TurnedHuon Valley
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Dew on flowering white kunzea with misty eucalypt forest behind

No. 04 · Wax and botanicals

The bush, poured and pressed

Small-batch soy candles carry the scents of the Tasmanian bush: tea-tree after rain, kunzea in flower, the warmth of mountain pepper. Beeswax tapers are dipped by hand.

Pressed botanical prints capture a single sprig at true size, so a little of the island can hang on a wall in Sydney or Brisbane.

WaxesSoy, pure beeswax
ScentsTea-tree, kunzea, mountain pepper
Shop candles and botanicals
14pieces you can order today

On the shelves now

Every one of them can leave wrapped

The online shelves hold a small selection of what is in the shop on Salamanca Square. Each piece can be wrapped in brown paper, free, and posted anywhere in Australia.

Shop the shelves
A gift box lined with brown paper holding a mug, linen tea towel and candle, tied with twine
Wren & Willow

Call 03 5550 7712

Your parcel

$150 away from free standard post

Nothing on the wrapping bench yet.

Every piece you add can be wrapped in brown paper with a sprig from the garden, free.

Browse the shelves